Daily Archives: March 10, 2015

a. The Puranas, Mahadevi Durga

The Devi Bhagavata Purana

The Devi Bhagavata Purana is one of two Bhagavata Puranas. It exalts the goddess Devi, and the other praises the god Visnu. The Devi Bhagavata Purana is a more brief form than that of Visnu’s Bhagavata Purana. Devi only speaks half a sloka (a metric style in prose composition; a couplet (Rodrigues 564) propounding herself as the ground of all being (Brown 17).

“All this universe indeed is just I myself; there is nothing else eternal.”

The Devi Bhagavata Purana [DBP] is comprised of 12 books (skandhas), 318 chapters, and 18,000 verses (slokas). It is a Sakta Upa-Purana, the “lesser” Puranas. There are eighteen or nineteen Maha (greater) Puranas, and many Upa (lesser) Puranas that encompass the vast body of Puranic literature (Rodrigues 290). There is conflict over the exact age of the text. An old age would suggest more validity and greatness for some [See Brown “The Problem of Canonicity” (18-24); looks at both religious and academic perspectives and compares differing views of scholars], however, there is evidence that such texts are often edited, adjusted, modified, and expanded upon in order to heighten the status of the text and present it in favour of devotees. There is evidence that the Devi Bhagavata Purana is not an exception to these practices (Brown 20-21).

The goddess Devi is usually portrayed in myths as a warrior whose mount is a lion named Mahasingha, and is known to defeat many demons; however she is also the cosmic mother, especially to her devotees. She is not typically seen as the wife, consort, or sakti of particular male gods (Rodrigues 323). She is beyond being a consort to anyone, though she bears a special relationship to every deity (Hawley & Wulff 32). For her devotees, Devi is independent and embodies the powers of all the gods combined. She is known by many names, most often known as Durga (She who is Formidable), or Candi (She who is Fierce). Other names include Prakrti (matter or nature), Maya (trick or illusion), Sakti (power or ability) (Coburn 20), and Mahamaya (the great matrix of phantasmal reality) (Rodrigues 323). She is also Parvati or Kali, themselves eventually known as individual goddesses. Devi is also associated with a “horde of females known as ‘the Mothers.’” There are hundreds of females part of this group and are known to be fighting, ferocious, and bloodthirsty beings, although the maternal instinct associated with Devi runs deep in all of them (Coburn 21).

There are two particularly important festivals associated with the Great Goddess, a spring and an autumn Navaratra (“nine nights”). The spring festival evidences Devi’s associations with fertility, while the autumn celebrations draw in Devi’s marital dimension (Rodrigues 324). Instructions on sacred places, vows, festivals, such as the Navaratra, and proper worship of Devi can be found in the Devi Bhagavata Purana.

“The two nine nights vow called Navaratra are to be observed, one in the autumn and the other in the spring season. These are very dear to Me. He is certainly My devotee and very dear who for My satisfaction performs these and the other Nitya Naimittik vows, free from any pride and jealousy. He certainly gets the Sajujya Mukti with Me.” (DBP 7:38:42-43) [Mukti is freedom/release from samsara/bondage, See Rodrigues (556)]

The Devi Bhagavata Purana is only one of many texts celebrating the Great Goddess. This text takes into account many myths already told in other Hindu sacred texts and elaborates on, retells, and/or adjusts these stories. In the second book and sixth chapter, the birth of the Pandavas [the family in constant rivalry and conflict with their cousins, the Kauravas, from the Mahabharata epic] is told (Rodrigues 230). However, the Devi Bhagavata Purana makes relatively few changes, and avoids direct contradictions with the Mahabharata (Brown 21). The question of which of the two Bhagavatas is more genuine is often raised, and many scholars argue over which has more authority. The Devi Bhagavata Purana could seem, to some, to be completely aware of the “tampering” of certain myths in Visnu’s Bhagavata Purana, and therefore purposely makes fewer changes and goes back to a more ancient standard in order to gain authority over Visnu’s Bhagavata Purana (Brown 21). Puranic works, such as the Devi Bhagavata Purana emerged by the 7th century CE, though many were composed later. (Rodrigues 281), therefore it is a late Purana. There is speculation over its age and its placement as an Upa-Purana versus a Maha-Purana by many scholars, however, at present; it is in the category of an Upa-Purana, despite the conflict.

Mention of Sita, Rama, Laksmana, and Ravana [characters from the Ramayana epic] is made in the third book and twenty-eighth and twenty-ninth chapters. These two chapters describe the birth of Sita, her discovery by King Janaka, the capturing of Sita by Ravana, and Rama’s search for her. The Ramayana makes no mention of Devi worship by Rama; however, a change made in the Devi Bhagavata Purana is that Rama finds solutions to his problems in Devi worship, due to the goddess-centered worship of the text (Brown 167). In the Devi Bhagavata Purana, Rama performs the Navaratra (nine night ceremony devoted to Devi), then Devi appears to Rama, informs him of his previous incarnations [he is an avatara of the god Visnu; the birth of the various avataras of Visnu can be found in the fourth book of the Devi Bhagavata Purana], reveals his purpose to kill Ravana, and promises him the recovery of his kingdom, if Rama continues to worship her (Brown 167-168). [For further information on the Ramayana epic consult Rodrigues (2006) or Valmiki/Goldman (1996)].

The Devi Mahatmya, also known as the Durga Saptasati, is another goddess-centered text that tells of the conception of Devi. The fifth book and eighteenth chapter of the Devi Bhagavata Purana recounts the slaying of the buffalo demon Mahisa by Devi, a retelling of the myth from the Devi Mahatmya (Glorification of the Great Goddess) text. Devi is endowed with the powers and weapons of all of the gods in order to slay the great buffalo demon Mahisa.

“Visnu then addressed all the Devas to give all their auspicious ornaments and weapons, He said: — ‘O Devas! Better give, all you the various arms and weapons, endowed with strength, created out of your own weapons and give them all today to the Devi.’” (DBP 5:8:75)

Certain elements differ in the Devi Bhagavata Purana from the Devi Mahatmya, such as the weapons in which Devi slays Mahisa. In the Devi Mahatmya, she slays him by crushing him with her foot, impaling him with her spear, and beheading him with her great sword (Rodrigues 323). In the Devi Bhagavata Purana, Devi pierces the demon with her trident, and then beheads him with her discus of a thousand spokes.

The Hindu belief in karma is also demonstrated in the Devi Bhagavata Purana. Karma is the concept of causality in moral action in which good deeds are meritorious (punya) and evil or sinful deeds (papa) have painful effects (Rodrigues 551). The fourth book and second chapter states:

“O best of kings! The fruits of karma must have to be experienced, whether auspicious or inauspicious, be he a Deva, or human being or an animal; anyone who has embodied himself in fine or gross bodies!” (DBP 4:2:34)

The Devi Bhagavata Purana covers many subjects, retells many myths, tells of the benefits of worshipping Devi, instructs how to worship Devi, illustrates hells and the destiny of sinners, explains the origins of the Earth and of other deities, speaks of narratives, explains hymns to Devi, and much more. Although it is an Upa (lesser) Purana, it contains vast amounts of information and requires great study in order to fully comprehend and explain. [The entire English translation by Vijnanananda of the Devi Bhagavata Purana is available online and also in print copy; link attached below.]

Devi’s many devotees are part of the Sakta sect in Hinduism and hold her as preeminent. Devi developed as an independent goddess unattached to any male sectarian tradition, and therefore is the basis of the goddess-based sectarian tradition, Saktism. [For more information on Saktism consult Tigunait (1998) or Rodrigues (2006)]. Devi is Sakti, the power that creates the cosmos. The devotees designated as Saktas form a smaller segment of Hindu population than either Saivas (worshippers of the god Siva) or Vaisnavas (devotees of the god Visnu) (Rodrigues 278-280). Devotees recognize that Devi has an ultimate form (formlessness) and an intimate form (accessible through faith), this presents that the gods themselves cannot know the cosmic form of the goddess without the personal extension of her grace (anugraha), and this can be done only through loving devotion (bhakti) to her (Beane 56). Therefore, devotees are strongly devoted to Devi because only through this loving devotion do they receive Devi’s good graces, any less would have consequences. The benefits of worshipping the goddess Devi and reading goddess-centered texts, such as the Devi Bhagavata Purana, can be recognized in verses from the text itself:

“She regulates the hearts of all and is the Cause of all causes. Without Her worship no one’s desires can be expected to be accomplished. Therefore, O Best of Suras! Worship the Universal Mother, the Prakrti Devi with greatest devotion and with greatest purity for the destruction of your enemy…She will then surely fulfill your desires.” (DBP 6:5:6-31)

 

References and Related Readings

Beane, Wendell C. (1973) History of Religions – The Cosmological Structure of Mythical Time: Kali-Sakti. Chicago: The University of Chicago Press.

Bhagavata Purana, 2 vols. text and translation. Gorakhpur: Gita Press, 1952-60.

Brown, Cheever Mackenzie (1945) The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi Bhagvata Purana. Albany: State University New York Press.

_____ (1974) God as Mother: A Feminine Theology in India: An Historical and Theological Study of the Brahmavaivarta Purana. Hartford, Vt.: Claude Stark.

Coburn, Thomas B. (1991) Encountering the Goddess: A Translation of the Devi-Mahatmya and a Study of Its Interpretation. Albany: State University New York Press.

Das, Bhagawan (1962) Krsna: A Study in the Theory of Avataras. Bombay: Bharatiya Vidya Bhavan.

Hawley, J.S & Wulff, D.M. (1998) Devi: Goddesses of India. Berkeley: University of California Press.

Hazra, R. C. (1958-63) Studies in the Upapuranas, 2 vols. Calcutta: Sanskrit College.

Kinsley, David (1986) Hindu Goddesses. Berkeley: University of California Press.

Pintchman, Tracy (1994) The Rise of the Goddess in the Hindu Tradition. Albany: State University of New York Press.

Pulasker, A. D. (1955) Studies in the Epics and Puranas of India. Bombay: Bharatiya Vidya Bhavan.

Rodrigues, Hillary (2003) Ritual Worship of the Great Goddess: The Liturgy of the Durga Puja with Interpretations. Albany: State University of New York Press.

_____ (2006) Hinduism – The eBook: An Online Introduction. Journal of Buddhist Ethics Online Books, Ltd.

Tigunait, Rajmani (1998) Sakti, the Power in Tantra: A Scholarly Approach. Honesdale: Himalayan Institute Press.

Valmiki, David & Goldman Robert P. (1996) The Ramayana of Valmiki. Princeton: Princeton University Press.

Van Lysebeth, André (1995) Tantra: The Cult of the Feminine. York Beach, Me.: Samuel Weiser.

Vijnanananda, Swami (trans.) (1921-23) The Srimad Devi Bhagavatam. Allahabad: Sudhindra Nath Vasu.


Related Topics for Further Investigation

Bhagavata Purana

Sakti

Durga

Candi

Prakrti

Maya

Mahamaya

Parvati

Kali

Navaratra

Mukti

Samsara

Mahabharata Epic

Ramayana Epic

Visnu

Avataras

Devi Mahatmya

Karma

Saktism

Saivas

Siva

Vaisnavas

Bhakti

Tantra

Durga Puja

 

Noteworthy Websites Related to the Topic

http://www.sacred-texts.com/hin/db/index.htm

http://en.wikipedia.org/wiki/Devi

http://www.britannica.com/EBchecked/topic/1545186/Devi-Bhagavata-Purana

http://en.wikipedia.org/wiki/Devi-Bhagavata_Purana

http://hinduism.about.com/od/festivalsholidays/a/navaratri.htm

http://www.srimadbhagavatam.org/

http://stotraratna.sathyasaibababrotherhood.org/pm1.htm

http://www.britannica.com/EBchecked/topic/357806/Mahabharata

http://www.sacred-texts.com/hin/rama/index.htm

http://hinduism.iskcon.org/tradition/1203.htm

http://en.wikipedia.org/wiki/Shaktism

 

Article written by Brianne Graham (March 2013) who is solely responsible for its content.

a. The Puranas

The Bhagavata Purana

The devotion and worship of Krsna is one of the most influential and widespread series of cults in the Hindu tradition. One of the most important texts regarding this devotion is the Bhagavata Purana. One the most basic level, the Bhagavata Purana concerns the exploits of many of the incarnations of Visnu. In particular, the narrative devotes its longest section to the deeds of the avatar Krsna.

The Bhagavata Purana is said to have been composed by the sage Vyasa. Vyasa is often credited as the author of the Puranas, the Mahabharata, and the Upa-Puranas (Prasad 1). The identity of Vyasa is a controversial subject among scholars, and most modern scholars tend to treat Vyasa as a mythological figure. This is because the sheer amount of writing attributed to him would seem impossible for one man to compose in a lifetime (Prasad 3). Therefore most scholars agree that Vyasa is in fact a number of different authors, however the exact identity of the authors is still subject to debate.

There is also debate among scholars regarding the actual date of composition of the Bhagavata Purana. According to Sheo Shanker Prasad, there are currently three dominant theories regarding the Bhagavata’s date of origin. The first theory is that the famous grammarian Vodadeve composed the Bhagavata sometime in the 13th century CE (Prasad 38). According to Prasad, this theory is declining in favor mainly because there would seem to be direct references and even commentaries written concerning sections of the Bhagavata, which would seem to have been composed prior to the 13th century (Prasad 40). The second theory concerning the composition date of the Bhagavata claims that it was composed sometime during the sixth century CE. This theory is also falling out of favor with scholars, due mainly to the fact that it claims that there are quotations and references to the Bhagavata in other works dating from the seventh and eighth centuries. These claims are currently being debated because some speculate that the passages in question may simply have been later additions to such early texts in order to make them compatible with the Bhagavata narrative (Prasad 41). The more modern consensus seems to be with the third theory expressed by Prasad. This theory speculates that the Bhagavata Purana was composed sometime between 900-1000 CE (Prasad 39). Prasad argues that the Bhagavata must have been composed sometime between the Devi-Bhagavata [c. 950 CE] and Sriharsa’s Naisadhiya-carita [c.1020-1080 CE] and thus had to have been composed sometime between 950-1080 CE (Prasad 43-44). This theory is also supported by a number of modern scholars, including Bimanbehari Majumdar (Majumdar 61-63). Despite the modern shift towards the theory that the Bhagavata was composed during the tenth century, there is still no absolute consensus among scholars as to the actual date of composition, and event the most popular theories rely on a great degree of speculation.

The story contained within the narrative itself opens with a group of rsis who wished to enter heaven. To achieve this, they began performing a complicated and tiring yajna, but due to the nature of the ritual, they were forced to take a break (Sharma 7). While they were resting, the rsis were joined by the great sage Suta, himself also a rsi. The members of the original group performing the yajna wished to learn more about Krsna, and acknowledging Suta as the most knowledgeable concerning the life of Krsna, asked him to teach them (Sharma 7). Suta responded by telling the Bhagavata Purana.

At its most basic level, the Bhagavata Purana is the tale of the deeds of avatars of the god Visnu. Here we find one of the more distinguishing features of the Bhagavata, namely that it describes 24 incarnation of Visnu, whereas other texts tend to only refer to ten incarnations (Sharma 7). Visnu’s avatars described in the Bhagavata Purana are as follows: The first was described as a celibate Brahmin; the second was a wild boar or varaha; the third was the great sage Narada; the forth incarnation was actually two people, Nara and Narayana; the fifth was the sage Kapila; the sixth was Dattatreya, son of the sage Atri and his wife Anusuya; the seventh was Yajna, who “held the title of Indra during the first manvantara” (Sharma 8); the eighth was Rishabha; the ninth was king Prithu; the tenth was a fish; the eleventh was a turtle, named Kurma; the twelfth was Dhanvantari; the thirteenth was a beautiful woman; the fourteenth was a narasima, or half-man half-lion; the fifteenth was a vamana, or dwarf; the sixteenth was Parashurama; the seventeenth was Vedavyasa, whose real name was Krsna Dvaipayana, who received name Vedavyasa because he reorganized the Vedas so that they might be easier understood by man [reorganized into the current four volumes]; the eighteenth was Rama [from the Ramayana]; the nineteenth and twentieth were Baladeva and his younger brother Krsna; and the twenty-first was the Buddha, Siddhartha Gautama (Sharma 7-9). The twenty-second avatar described by Suta was not yet born, but would be named Kalki (Sharma 9). While Suta claims there are twenty-four incarnations, he only describes twenty-two (Sharma 9). The bulk of the narrative of the Bhagavata Purana is composed of the exploits of the various avatars of Visnu.

As previously stated, the largest individual section of the Bhagavata Purana concerns the exploits of the avatar Krsna. Perhaps the most noteworthy aspect of this section of the Bhagavata is that is perhaps the earliest Sanskrit text concerning the childhood of Krsna (Sharma 6). This section describes the birth of Krsna and his older brother Baladeva as the result of Brahma’s prayers to Visnu that he might end evil’s hold on the world (Sharma 15). In this tale, Kamsa, king of the Yodvas, forces Krsna into hiding as a child. It describes his youthful exploits playing with cow herders and playing the flute (Sharma 15-16). The Bhagavata also describes Krsna’s return to Mathura and his slaying of Kamsa, as well as other divine acts [such as lifting a mountain with one finger] (Sharma 16). The story of Krsna is often seen as the most important part of the Bhagavata and is consequently one of the most studied sections.

One such study was composed by Vallabhacarya sometime in the late 15th or early 16th century CE. In his introduction to his translation of Vallabhacarya’s work, James D. Redington notes that chapters 29-35 of book ten of the Bhagavata were of particular interest to Vallabhacarya and others due to the aesthetic implications of Krsna’s “love games” with women of the cow herder caste (Redington 1). Vallabhacarya notes the implication of Krsna as the ideal male, as well as the aesthetic implications of the Gopis [cow herder women with whom Krsna played his games] as examples of ideal feminine beauty (Redington 2).

A more modern study by Richa Pauranik Clements argues for the social importance of the Krsna tales in the Bhagavata. Clements, like Vallabhacarya, found importance in the “love games” of Krsna and the Gopis, and claims that the Bhagavata sometimes implies a reversal of common Hindu dharmic ranking, namely that the narrative often seems to place the dharmic duties of the Sudra class [that “of service and devotion” (Clements 26)] as the most favored (Clements 26). However the author also notes that the narrative retains traditional varna distinctions as well. This is demonstrated, according to Clements, by the fact that while Krsna has sexual intercourse with women of the Sudra class, he can only marry a member of his own (Kshatriya) class [it is also worth noting, according to Clements, that Krsna does not seduce a member of the higher Brahmin class] (Clements 26).

The Bhagavata Purana is an intricate and expansive work that describes the deeds of the avatars of one of the chief Hindu deities, Visnu. For this reason alone it could be seen as significant, however, it has proven to also be one of the most important texts in regards to the worship of one particular avatar, Krsna.

 

 

References and Further Recommended Reading

Shastri, J.L. ed. (1970) Ancient Indian Tradition & Mythology: (Puranas in translation). Delhi: Motilal Banarsidass.

Clements, Richa Pauranik (2002) “Embodied Morality and Spiritual Destiny in the Bhagavata Purana.” International Journal of Hindu Studies Vol. 6 No. 2, p. 111-145.

Majumdar, Bimanbehari (1969) Krsna in History and Legend. Calcutta: University of Calcutta Press.

Prasad, Sheo Shanker (1984) The Bhagavata Purana: A Literary Study. Delhi: Capital Publishing House.

Preciado-Solis, Benjamin (1984) The Krsna Cycle in the Puranas: Themes and Motifs in a Heroic Saga. Delhi: Motilal Banarsidass.

Sharma, P.R.P. (2007) Encyclopedia of Puranas. New Delhi: Anmol Publications Pvt. Ltd.

Vallabhacarya (1479-1531?) Vallabhacarya on the Love Games of Krsna. James D. Redington, trans (1983). Delhi: Motilal Banarsidass.

 

Related Topics

 

Bhakti

Dharma

Krsna

Mahabharata

Ramayana

Varna system

Visnu

Websites Related to the Topic

 

http://www.sacred-texts.com/hin/vp/index.htm

http://en.wikipedia.org/wiki/Bhagavata_Purana

http://en.wikipedia.org/wiki/Krishna

http://en.wikipedia.org/wiki/Avatar#Avatars_of_Vishnu

 

Article written by Daniel Lavigne (Spring 2013) who is solely responsible for its content.

3. Gender Equality, e. Other Sects, Gender Issues, Hinduism and Sexuality

Hijra Religion

The Hijras are an institutionalized third gender in India. They live mainly in Northern India, with the major Hijra temple located in Gujarat, near Ahmedabad (Nanda 1990:xxii). Hijras are biological men who renounce sexuality and dress and act like women. Some Hijras are born hermaphrodites, or with ambiguous genitalia (Nanda 1990:5), but most Hijras are impotent or infertile men who undergo a sacrificial emasculation procedure called the nirvan operation, which involves the removal of male genitalia (Reddy 2005:56). This ritual emasculation is said to give them the power to bestow fertility to newlyweds and prosperity to newborn children (Reddy 2005:2). The traditional work of a Hijra is to perform at the birth of a child, at weddings, and at temple festivals; a group of Hijras will dance, sing, and bestow blessings in an exaggerated parody of female behavior, for which they receive payment (Nanda 1990:3, Reddy 2005:84).

Hijras practice a pluralistic form of religion: identity formation is related to Hinduism, but many Hijras also identify as Muslim (Reddy 2005:99). Hijras, being neither male nor female, are able to blur gender boundaries within Muslim traditions (Reddy 2005:102). They will sometimes embark on the Hajj, the holy pilgrimage to Karbala or Mecca or Medina, but unlike Muslim women, they do not need to be accompanied by a male relative (Reddy 2005:103). Muslim Hijras will wear a burqa when not performing (Reddy 2005:104), but are also permitted to wear male clothing upon returning from their pilgrimage (Reddy 2005:105). [see Reddy, 2005 for more information on Muslim Hijras]

Hindu Hijras trace their origins back to the time of the Ramayana (Reddy 2005:9). A common myth that Hijras tell regarding their history is that when Rama, the hero of the Ramayana, was exiled from Ayodhya, the entire city followed him to the edge of town to say goodbye. Everyone was in tears when they reached the banks of a river, and Rama asked all the men and women to stop crying for him and to go back to their homes. The Hijras, who are not men and not women, waited for fourteen years on the banks of the river. Upon his return, Rama was so moved by their extreme devotion that he gave them a blessing: he told them they would be kings in the kali yuga (Reddy 2003:189). [A yuga refers to a cosmic period in Hindu Cosmology (Reddy 2003:189)] . It is interesting to note that we are currently in the kali yuga, and that Hijras are entering the political sphere in India (Reddy 2003:164) as somewhat ideal candidates for leadership due to their celibacy and lack of kinship ties (Reddy 2003:182).

Within the Hindu pantheon, Hijras identify primarily with the god Siva (particularly in his ardhanarisvara state, when he is portrayed as half man, half woman), Arjuna, a hero from the Mahabharata epic and incarnation of Visnu, and the goddess Bahuchara Mata (Nanda 2003:195, Reddy 2005:81). In one Hindu creation myth, Siva was appointed to create the world but he took so long that the job was given to another god, Brahma (the Creator). When Siva was finally ready to begin creating the world, he saw that it was already done, and was so angry that he broke off his phallus and threw it into the earth (Nanda 2003:195). Hijras, like Siva, bury their severed penises in the ground, which they believe gives them the power of creation (Reddy 2005:97). By giving up individual fertility, they acquire universal creative power (Reddy 2005:97). Another clear identification for the Hijras is with Arjuna from the Mahabharata epic (Nanda 2003:195, Reddy 2005:81). During the epic Arjuna spends a year in the court of king Virata disguised as a eunuch named Brhannala, dressing like a woman and teaching dance to the women of the court (Nanda 2003:195, Reddy 2005:81). However, worship of Bahuchara Mata (a version of the mother goddess particularly associated with transgendierism and transvestism) is the most important for Hijras. Each Hijra household has a shrine to her and it is in her name that Hijras bestow their blessings of fertility and prosperity (Nanda 1990:24). [See Nanda, 1990, for myths attesting to Bahuchara’s special connection to Hijras]

Hijras engage in two kinds of occupations: badhai work, (singing and dancing at marriages and births) which is seen as a respectful occupation, and kandra work (sex work), a practice which is criticized by senior Hijras but is still the main source of income for roughly half the Hijra population (Reddy2005:15,80). Some Hijras will even take on regular clients as ‘husbands’ (Reddy 2003:165). Reddy suggests that due to their association with sex work and their ambiguous gender identification, Hijras are generally viewed as outside of the social order (Reddy 2003:166). They are seen as besarm (without shame), and people are often afraid to interact with them (Reddy 2003:166). Hijras have the power to bless but they also have the power to curse; if they are not adequately compensated for their services they will threaten to expose their mutilated genitals, a sight which is believed to cause impotence (Nanda 1990:7). For this reason Hijras are socially marginalized, but they are also feared (Nanda 1990:8). Badhai refers to the payments Hijras receive for their services, usually in the form of flour, cane sugar, sweets, cloth, saris or money (Nanda 1990:3). At the birth of male children Hijras will dance, entertain, and bless the child with fertility, prosperity, and long life. They will also examine the genitals of baby boys; if they are ambiguous they will sometimes try to claim the child as one of their own (Nanda 1990:2-5). Hijras will also perform at marriages; the social class of the bride and groom determines how elaborate the performance will be. They will bless the newlywed couple with fertility in the name of the mother goddess (Nanda 1990:5).

In the Hindu tradition chastity and renunciation of sexual activity gives one tapas (inner heat) which is associated with creation (Reddy 2005:96). For men in particular, abstinence or semen-retention is seen as a way to generate tapas (Reddy 2003:175). A Hijra is seen as a kind of sannyasin (renouncer) who has transformed their sexual impotence into procreative power (Nanda 2003: 195). Hijra men are said to receive a call from the Goddess Bahuchara Mata to serve her: those who deny her risk seven cycles of impotent rebirths (Nanda 2003:195). The nirvan operation is a form of rebirth in many ways; and the post-operation rituals mirror post-childbirth rituals (Nanda 2003:195). Only after the nirvan operation are Hijras truly believed to be able to channel the power of Bahuchara Mata (Nanda 2003:195). Although the operation is currently illegal in India, it is still practiced. The operation is a way of gaining respect within Hijra communities (Reddy 2005:93). Sex work is seen as contradictory to the ascetic ideal of sexual renunciation (Nanda 1990:12). The view among Hijras is that the ‘real’ Hijras are the ones who renounce sexuality completely and undergo the nirvan operation as proof of their legitimacy (Reddy 2003:175).

The gender neutrality of the Hijras has captured the imaginations of gender studies scholars worldwide (Reddy 2003:164). They are also beginning to enter the political sphere. They have become increasingly visible worldwide. Many Hijras see this as a fulfillment of Rama’s diving prophecy, and believe this to be the beginning of a new era. [I have included some links to current events articles regarding Hijras and politics, see below]

 

Bibliography

Nanda, Serena (1990) Neither Man Nor Woman: The Hijras of India. Belmont: Wadsworth Publishing Company

Nanda, Serena (1985) “The Hijras of India: Cultural and Individual Dimensions of an Institutionalized Third Gender Role” in Richard Parker and Peter Aggleton eds. Culture, Society, and Sexuality: A Reader, p 237-250. New York: Routledge

Nanda, Serena (2003) “Hijra and Sadhin: Neither Man nor Woman in India” in Constructing Sexualities: Readings in Sexuality, Gender and Culture. Suzanna LaFont (ed.). Upper Saddle River, New Jersey: Prentice Hall. pp. 192-201

Reddy, Gayatri (2005) With Respect to sex: Negotiating Hijra Identity in South India. London: University of Chicago Press

Reddy Gayatri (2003)”Men Who Would Be Kings: Celibacy, Emasculation and the Re-Production of Hijras in Contemporary Indian Politics” in Social Research, vol 70 (1), p p163-200

Lal, Vinay (1999) “Not This, Not That: The Hijras of India and the Cultural Politics of Sexuality” in Social Text, No. 61, p119-140: Duke University Press.

 

Related Readings

Cohen, Lawrence (1995) “The Pleasures of Castration: The Postoperative Status of Hijras,
Jankhas, and Academics” in Paul R. Abrahamson and Steven D. Pinkerton eds. Sexual Nature/Sexual Culture. Chicago: University of Chicago Press

Reddy Gayatri (2006) “Bonds of Love: The Desire for Companionate Marriages Among Hijras of India” in Hirsch, J and H. Wardlow eds. Modern Love: Companionate Marriage and the Politics of Love, University of Michigan Press

 

 Related Research Topics

-Tapas

-Asceticism

-Siva

-Arjuna

-Bahuchara Mata

-Transgender

 

Suggested websites

General information

http://en.wikipedia.org/wiki/Hijra_(South_Asia)

http://www.everyculture.com/South-Asia/Hijra-Religion-and-Expressive-Culture.html

Current events

http://www.newstatesman.com/world-affairs/2008/05/hijras-indian-changing-rights\

http://www.ibtimes.com/third-sex-transgenders-eunuchs-run-political-office-pakistan-1104224

Photos of Hijras

http://www.pbase.com/maciekda/hijras

http://www.pbase.com/maciekda/hijra_bangladesh

 

 

Written by Molly Matheson (April 2013), who is solely responsible for its content.

a. Hinduism for the West, Related Topics in Yoga

Swami Chidvilasananda

“Gurumayi’s striking beauty rivets attention wherever she goes…[H]er energy seems inexaustible. Her grace, delightful wit, and respectful regard for the needs of each devotee have expanded Siddha Yoga’s appeal beyond what even Muktananda achieved.” (Brooks 136)

 Swami Chidvilasananda, often referred to as Gurumayi Chidvilasananda or simply Gurumayi is the current leading guru of Siddha Yoga. Gurumayi is a female Guru, who was born in India, who now resides in the United States of America. After studying yoga under the leadership of her own guru Swami Muktananda, she became the head guru of Siddha Yoga when he passed on his title to her in a five day fire ceremony called a yajna; which was celebrated during the time of his birthday in 1982 [Swami Muktanananda passed away later in that same year]. (Caldwell 27) Siddha Yoga is a form of yoga that is very much about finding energy inside one’s soul and discovering personal inner peace through meditation and connection with their guru.

Siddha Yoga has become a major trend in North America, and the SYDA or Siddha Yoga Dham of America that was created by Swami Muktananda, and has been carried on by Swami Chidvilasananda, is a non profit organization that has dealt with a great deal of controversy (Harris 92). Siddha Yoga’s claim to fame is an extremely intense meditative state known as guru”shaktipat“. Shaktipat is described as a cosmic orgasm that one feels after they connect with their guru (Neimark 60). There has been a great deal of controversy surrounding the practice of Siddha Yoga, and the gurus that lead this spiritual activity. There is much controversy surrounding how much money the SYDA appears to have. The SYDA owns more than three hotels worldwide and has a variety of wealthy celebrity followers (Harris 92). Some have gone so far as to call it a cult; others have questioned the sexual integrity of the gurus; however there are valid arguments on both sides of the spectrum. Some criticize Swami Chidvilasananda of not living a truly pure and holy life; claiming that she, and other Siddha Yoga Gurus are simply concerned with money and fame, and others regard her as one of the most powerful and influential yogic gurus of her time.

Born in Mumbai India in 1955 under her given name Malti Shetty, Gurumayi experienced shaktipat at the age of fourteen and at age fifteen began studying under her guru Swami Muktananda. She moved to the ashram (a hermitage in which she studied religion and yoga) to study yoga seriously. Swami Chidvilasananda accompanied her Guru on many tours as his English translator, and in 1982, both Shetty and her brother, Subhash Shetty were appointed to be the successors of their guru; however in 1985 her brother stepped down, leaving Gurumayi to be the sole successor of Swami Muktanananda or Baba, as he was called by his students and devotees. [Baba meaning father.] Some have criticized Gurumayi for the “falling out” that she had with her brother, claiming that it is not spiritual or holy to have a relationship fall apart, and that it is just as it is in secular life; criticizing the way she dealt with the situation (Healey 12). Gurumayi is the current Guru of Siddha Yoga, which has two main ashrams for people to learn the practices in; one in India, and one in New York. There has been controversy surrounding the practice of Siddha Yoga, claiming that it has a likeliness to that of a cult-like religion, (Healey 5) however Gurumayi’s students seem to feel a deep appreciation for the fact that she not only lives her life purely, but truly tries to bring her teachings into every day-to-day life. She has many interactions with her students and spends a great deal of time with them to offer guidance and teachings (Brooks 159). Gurumayi is known for her kind heart, and her caring attitude towards all human beings. Her students respect her greatly and put her at the center of their spiritual lives. (Brooks 136). Siddha Yoga places emphasis on self-evaluation and tries to eliminate personal negativity, and negative tendencies within one’s life.

The practice of Siddha Yoga was first introduced to the West in 1970 by Swami Muktananda during his first excursion out of India. Siddha Yoga, the word Siddha meaning perfect master (Healey 6) is a practice of yoga in which its main purpose is to achieve shaktipat through the guidance, chants and presence of a Guru. Shaktipat is the ancient method of awakening the kundalini energy, which creates enlightenment at the base of the spine, and sends the body into an orgasm-like state, that causes the body to shake and pulsate upon achieving this sacred energy. When people experience shaktipat through the practice of Siddha Yoga they lose all control over their physical selves, often screaming, pulsating, or physically moving around the room. This energy can only be achieved through the presence and touch of the Guru; and through shaktipat it is said that one can truly achieve self-realization and Atman. Contrary to controversy about Siddha Yoga and its sexual nature; it is said that if one finds a true guru, one who is fully devoted to the art of Siddha Yoga, that it is not about sexual pleasure, but about losing touch between the inner and outer self, and experiencing a more divine power and ecstasy. Achieving shaktipat is said to be the feeling of “seeing the Divine in different forms” (Tymn 180). Gurumayi herself said that “When you experience it, you see light everywhere, you find joy in everything. You experience happiness in times of happiness, but you are also able to experience happiness in the midst of sorrow. This is the greatness of meditation.” (Chidvilasananda 46)

Another important aspect of Siddha yoga is the importance that its devotees place on grandiose ceremonies, such as yajnas. Yajnas are extremely important and have helped to characterize Siddha Yoga. Swami Chidvilasananda holds yajnas many times a year, that attract Siddha Yoga students and Brahmins from all around the globe. Brahmins travel from India to attend Swami Chidvalasananda’s yajnas, as months of hard work and preparation go into preparing for them. During these sacred fire ceremonies, Gurumayi sits and observes, while Brahmin priests adorn her with garlands and perform sacred rituals. Gurumayi holds herself with great dignity and always puts her position as great Guru first and foremost. (Brooks 135) In Gurumayi’s yajnas food and gifts are offered to the Gods and burned in a sacrificial fire. Yajnas and yoga are said to be alike in the sense that yoga offers sacrifices to the Gods as well; however the fire of the yajna; in yoga is an internal flame. Gurumayi has taught numerous courses in the ashram, which emphasize the importance of sacrifice in ones day-to-day life. She teaches that sacrifice is the secret to fulfilling a pure and whole life. (Brooks 136) Love, peace, patience and self awareness are very important aspects of Siddha Yoga, often taking a great deal of time and inner reflection to truly master.

Gurumayi places a great amount of importance on love, calmness, happiness, and inner peace. A young man that attended a retreat led by Gurumayi in Mexico said that “These two weeks were the happiest weeks of my whole life. They gave me a new vision of myself and the world we live in. Never in my life had I experienced so much love, nor did I know that so much love was possible. We just sat down to talk about the day and it was pure ecstasy. Or sometimes we just sat in silence looking at each other and we cried out of love” (Brooks 140). Siddha Yoga focuses on the simplicity of life and helps people to understand what happens within themselves to create pure ecstasy throughout any aspect of life. Another practice that is unique to Siddha Yoga is guruseva which helps a student to gain wisdom by working under the instruction of their guru. The idea of working to gain wisdom is important in Siddha Yoga. For example students of Gurumayi have volunteered to chop vegetables for hours at a time; while chanting throughout the whole process. The idea behind the work is that “unselfish action purifies the mind.” (Brooks 144) Guruseva can take form in any day to day activity; for example washing dishes, doing chores, creating art are all forms of Guruseva. The use of work to diminish ego and create a connection to the gods is extremely important to Siddha Yoga devotees, but only if the work is done with no thought or expectation of reward. The acts of Guruseva must be done selflessly in order to reap its rewards. Guruseva is comparable to the feeling of kundalini in that it creates a deep interior experience. Students who do guruseva experience realizations within themselves, and intense feelings of calmness and love (Brooks 144).

Much of Swami Chivalasananda’s time is spent traveling the globe, spreading the word of Siddha Yoga, through the use of chants, workshops and intensives. There are approximately three hundred Siddha Yoga meditation centers worldwide, located in Europe, North and South America, India and Australia to name a few (Brooks 143). Gurumayi is said to be such a powerful leader of Siddha Yoga, that her devotees do not have to be in her presence to feel her spirit and teachings. Many of her students have seen her through focused and intense meditation. Devotees have said that Gurumayi has appeared in meditation and in dreams where she has provided guidance to them. Many of Gurumayi’s students have felt her presence when she was not physically with them. For example a school teacher in Perth Australia was struggling with a young student’s behavior, when she saw Gurumayi walk through the door and smile lovingly at the boy, giving hope to the teacher (Brooks 147).

Regardless of where Gurumayi is in the world, her presence is honored by her devotees. When she appears at conferences, workshops or intensives often she is greeted with a great amount of emotion and joy from her students.   She works hard to prove that she is a strong leader, and tries to live her life in a way that shows example to her students of how to achieve peace and harmony with ones self. Gurumayi provides a realistic approach to her work in the fact that she also talks about inner turmoil. Siddha Yoga requires personal work and sacrifice to find oneself and she has displayed acts of sacrifice in her own life to teach her devotees.

“Where is heaven? Where is Hell? Within us. Each one can create a heaven, each one can create a hell…Look within. Meditate. It just happens. You find your own joy, you find your own inner peace.” (Chidvilasananda 49)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bibliography

Caldwell, Sarah (2001) “The Heart of the Secret: A Personal and Scholarly Encounter with Shakta Tantrism in Siddha Yoga” Nova Religio: The Journal of Alternative and Emergent Religions, Vol. 5, No.1:9-51

Haruni, Elisa Santos, Ferreira Dourado Rueda, Adriana Amelia Benedito-Silva, Ana Leite De Moraes Ornellas, Felipe Leite, Jose Roberto (2008) “Evaluation of Siddha Samadhi Yoga for Anxiety and Depression Symptoms: a Preliminary Study.” Psychological Reports, Vol. 103, No. 1: 271-274.

Healy, John Paul (2011) “Involvement in a New Religious Movement: From Discovery to Disenchantment.” Journal of Spirituality in Mental Health, Vol. 13, No. 1: 2-21

Harris, Lis (1998) “O guru, guru, guru.” New Yorker, Vol. 70, No. 37: 92

Neimark, Jill (1998) “Crimes of the soul.” Psychology Today, Vol. 31, No. 2: 55

Mutananda, Swami and Chidvilasananda, Gurumayi (1991) Meditate. Albany: State University of New York Press.

Durgananda, Swami Muller-Ortega, Paul E Mahony, William K Rhodes Bailly, Constantina Sabharathnam, S.P. (2000) Meditation Revolution: A History and Theology of Siddha Yoga Lineage. Muktabodha Indological Research Institute.

Tymn, Michael E. (2006) “Secrets of Shaktipat.” Journal of Spirituality & Paranomal Studies. Vol. 29, No. 3:179-180.

 Related Topics

PRASAD

Swami Muktananda/Controversy surrounding his practices

Siddha Yoga vs. other forms of Yoga

Gurumayi’s various projects

 Related Websites

http://www.siddhayoga.org/

http://www.siddhayoga.org/gurumayi-chidvilasananda

 

Article written by Jaimee Jarvie (April 2013) who is solely responsible for its content.

Samadhi

Samadhi (Contemplative Absorption)

Samadhi, or contemplative absorption, is the highest state of mental concentration thought possible by Hindus while still existing in the cycle of samsara, and is achieved through yogic meditation. Samadhi is a state undisturbed by all emotions and thoughts originating with the ego, and the achievement of such mental clarity is said to indicate significant progress in one’s meditation practices (Sarbacker 57). Samadhi, literally meaning “together—joining” (Kesarcodi-Watson 79), has been described as the means by which one “goes beyond the human condition” (Eliade 52) and is finally able to achieve the liberation that Hindus ultimately aim for. Some have described the objective of yoga as the development of a consciousness qualitatively different from one’s normal state of mind that is able to thoroughly understand metaphysical truth (Eliade 51); this new consciousness is samadhi. Other terms used to describe this mental state include “enstasis,” “ecstasy,” and “supreme concentration.”

The concept of contemplative absorption was first described as one of the eight limbs of yoga outlined in the Yoga Sutra written by Patanjali, who is sometimes equated with the famed Sanskrit grammarian of the same name, but was probably a different person (Eliade 13). The Yoga Sutra consists of four books, each of which is devoted to a unique topic: “yogic ecstasy,” realization, “miraculous powers” (siddhi) and isolation (Eliade 13, 100). One of the critical features of Patanjali’s Yoga Sutra is the description of the eight limbs of yoga as a path to liberation. These eight limbs (astanga) are discipline (yama), restraint (niyama), posture (asana), breath control (pranayama), sense-withdrawal (pratyahara), concentration (dharana), meditation (dhyana) and ecstasy (samadhi) (Feuerstein 2002:324). The final three limbs are sometimes grouped together and called “constraint” (samyama) because concentration, meditation and ecstasy are considered phases of a single process of mental deconstruction (Feuerstein 2002:335). Patanjali understands this eight-limbed path of yoga as the path to achieving liberation, more often referred to by him as kaivalya, from samsara or the cycle of rebirth (Kesarcodi-Watson 78). An understanding of the eight limbs of yoga is important to be able to recognize the position of the attainment of samadhi in one’s journey towards liberation from samsara, because it allows one to recognize that samadhi can only be achieved once the turnings of the mind (vrtti) have been restricted through the other aspects of meditation (Feuerstein 2002:335).

The diversity of ways in which samadhi can be experienced is as varied as the multitudes of people who will experience it, and it has been said that no amount of description could convey the nature of this condition (Feuerstein 2002:335-336). However, samadhi can be defined informally (Feuerstein 2002:336) and there are certain generalizations that can be made about the experience of samadhi as a whole. Firstly, those who have actually experienced the various states of samadhi claim that mental lucidity is inherent to the experience, despite some perceptions of the experience as a state of trance or unconsciousness. In fact, spiritual teachers state that any instances in which unconsciousness is a factor cannot be considered a form of enstasis (Feuerstein 2002:335). Samadhi is also said to always include a feeling of “suprawakefulness” and is a progression towards the greater reality or good, despite some critics describing contemplative absorption as a “diminution of consciousness” (Feuerstein 2002:336). Physically, the experience involves bodily rigidity and a cessation of visible breath in the yogi (Feuerstein 1972:27). Other feelings described as associated with this experience of mental ecstasy include wakefulness, a “mood of bliss” or a sense of “pure existence” (Feuerstein 2002:336).

Although the concept of samadhi can be described as a whole, yogis also describe multiple types of samadhi and ways it can be experienced. Patanjali and his commentators differentiated among many types and stages of this supreme form of concentration (Eliade 93). The two varieties of samadhi discussed by Patanjali were samprajnata samadhi, that which is achieved with the assistance of an object or a thought, and asamprajnata samadhi, which is achieved without any relation to a physical or mental aid (Eliade 93). Asamprajnata samadhi is considered to be of a higher level of accomplishment than samprajnata because it is the only means by which one can recover awareness of the transcendental self (purusa) and its eternal freedom (Feuerstein 2002:337). While asamprajnata samadhi is said to exist in only one type, samprajnata samadhi can be experienced in various forms (Feuerstein 2002:336). As one achieves succession through the various stages of samprajnata samadhi, they begin to achieve the capacity for the absolute knowledge that will lead them to the accomplishment of asamprajnata samadhi, the achievement of contemplative absorption without the use of a meditation thought or object (Eliade 100).

Samprajnata samadhi, sometimes referred to as enstasis “with support,” is said to involve an inhibition of all mental functioning with the exception of the portion of cognition that focuses on the object by which samadhi was attained (Eliade 93). There are various forms of this type of samadhi, which bear the designation “coincidence” (samapatti) because the subject and the object on which they meditate are said to coincide (Feuerstein 2002:336). The least complex of these forms is vitarka-samapatti, which is said to occur when the subject unifies himself or herself with the “coarse” aspect of the meditation object (Feuerstein 2002:336). Once the subject is able to end all ideation about the object, they purportedly enter nivitarka samadhi (Feuerstein 2002:336). The next, deeper level of “ecstatic unification,” gurus claim, comes when the meditator is able to understand the subtle aspects of the object and experience themselves on a progressively less different plane of existence with the object. This condition has two forms, which are dependent on whether or not spontaneous thoughts are present. The two forms are reflective (savicara) and suprareflective (nirvicara) ecstasy (Feuerstein 2002:337). According to an interpretation of the Yoga Sutra outlined by Vacaspati Mishra in his work Tattva-Vaisharadi, four additional levels of this unification with the subtle aspects of the object exist. They are: coincidence with bliss (sanandasamapatti), coincidence with “I-am-ness” (sasmitasamapatti), coincidence beyond bliss (nirananda-samapatti) and coincidence beyond “I-am-ness” (nirasmita-samapatti) (Feuerstein 2002:337). Succession through each of the stages is marked by progressive loss of mental awareness as the participant begins to lose access to memory and abandons any attempts at reason or logical thought, accepting that their meditation object cannot be possessed and must be grasped as concrete fact rather than positioned in relation to the rest of the physical world (Eliade 95-96). It is questionable whether the scholar Mishra actually experienced these types of samadhi for himself or whether he inferred their existence, and it must be noted that the adept yogin Vijnana Bhikshu rejected the types of samadhi that Mishra described (Feuerstein 2002:337).

In addition to the types of samadhi discussed in the Yoga Sutra, some gurus have developed their own teachings on the different ways samadhi can be experienced. For example, the spiritual teacher Sri Chinmoy used a system of classification that divided different experiences of samadhi into major and minor types (Chinmoy 257-260) and was based on Vedanta philosophy (Feuerstein 2002:336). This system, listed in order of increasing accomplishment, includes: savikalpa, nirvikalpa, and sahaja samadhi, which Chinmoy claims is the highest state of consciousness achieved by most spiritual masters (Chinmoy 257-260). Other sources explain that the attainment of nirvikalpa samadhi is synonymous with liberation itself (Feuerstein 2002:529), but according to Chinmoy it is the attainment of sahaja samadhi that indicates, “one has become the soul . . . and is utilizing the body as a perfect instrument” (Chinmoy 259). Within each of these levels of consciousness, there are varying “grades” of experience and each of the samadhi can be attained at “higher” or “lower” levels. Chinmoy differentiates between these different types of samadhi based on the varying degrees of consciousness and abilities to interact with the physical world experienced by the participant in each form of contemplative absorption (Chinmoy 257-260). Studying the teachings of gurus can be a very effective means of understanding the multitude of diverse ways that samadhi is experienced. [For information regarding other classification systems of various types of samadhi, consult individual discussions of yoga by spiritual teachers.]

Although some gurus claim that there are no specific methods to attain this supreme form of consciousness (Chinmoy 261), in the Yoga Sutra Patanjali discusses some of the challenges one must overcome in order to achieve samadhi. One of the primary obstacles preventing one’s attainment of supreme consciousness is the interfering mind (Kesarcodi-Watson 85). Certain scholars, such as Ian Kesarcodi-Watson (1982), state that it is difficult to explain the steps leading to samadhi because these steps occur at a level of being that is difficult for rational minds to grasp. The state which samadhi inhabits is considered one where there is no “making;” a state that is difficult to affect (Kesarcodi-Watson 89). However, it is stressed in discussions of this state of supreme consciousness that samadhi cannot be achieved through a mere exertion of will, but rather, requires the subject to empty themselves and become open to the higher reality beyond their own ego (Feuerstein 2002:337). Experts on the subject explain that actions taken to achieve samadhi can be attempted, but there is little to be said about how, or even if, they will work (Kesarcodi-Watson 89) because the extraordinary condition that is samadhi is one for which “there is no reference point in our everyday life” (Feuerstein 2002:336).

 

REFERENCES AND FURTHER RECOMMENDED READING

Chinmoy, Sri (1989) Meditation: Man-Perfection in God-Satisfaction. Jamaica: Aum Publications.

Dasgupta, S.N. (1979) Yoga Philosophy in Relation to Other Systems of Indian Thought. Delhi: Motilal Banarsidass Publishers Private Limited.

Eliade, Mircea (1975) Patanjali and Yoga. New York: Shocken Books.

Feuerstein, Georg and Jeanine Miller (1972) Yoga and Beyond. New York: Shocken Books.

Feuerstein, Georg (2002) The Yoga Tradition: Its History, Literature, Philosophy and Practice. New Dehli: Bhavana Books & Prints.

Fort, Andrew O. (2006) “Vijnanabhiksu on Two Forms of ‘Samadhi’.” International Journal of Hindu Studies 10 #3 (December): 271-294.

Kesarcodi-Watson, Ian (1982) “Samadhi in Patanjali’s Yoga Sutras.” Philosophy East and West 32 #1 (January): 77-90.

Osho (1976) The Path of Yoga. Pune: Tao Publishing Pvt Ltd.

Sarbacker, Stuart Ray (2005) Samadhi: The Numinous and Cessative in Indo-Tibetan Yoga. Albany: State University of New York Press.

Venkatesananda, Swami (2008) The Yoga Sutras of Patanjali. Delhi: Motilal Banarsidass Publishers Private Limited.

 

RELATED TOPICS FOR FURTHER INVESTIGATION

Asamprajnata Samadhi

Eight Limbs of Yoga

Guru

Nirvikalpa Samadhi

Nirvitarka Samadhi

Sahaja Samadhi

Samprajnata Samadhi

Savikalpa Samadhi

Vitarka-Samapatti

Yoga

Yoga Sutra of Patanjali

Yogi/Yogin

 

NOTEWORTHY WEBSITES RELATED TO THE TOPIC

http://en.wikipedia.org/wiki/Samadhi

http://www.expressionsofspirit.com/yoga/eight-limbs.htm

http://religiousbook.net/Books/Online_books/Eco/ecopsychology_35.html

Enlightened Master Acharya Shree Yogeesh explains his understanding of samadhi:

https://www.youtube.com/watch?v=9yySC3ZLwGs

Spiritual Teacher Sri Chinmoy demonstrates his experience of samadhi:

https://www.youtube.com/watch?v=mv0_njLTfy8

 

Article written by Madison Martens (April 2013) who is solely responsible for its content.